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I’ve used PureRAW as part of my workflow for a couple of years now, mainly to improve files shot at high ISOs. As to which of the settings is ‘best’, I preferred Hard for the landscape shot, but felt Strong looked more natural with the wildlife. That’s an 8MP DSLR dating from 2005, and a lens that was introduced a decade earlier (you can see the result below). It produced excellent results with an old shot of a pair of penguins that I took using the Canon EOS 350D and EF 75-300mm f/4-5.6 IS USM lens.

Likewise, PureRAW 3 can transform images shot with older kit. Lens softness compensation setting Hard, 100% crop. I have no idea why you’d ever want to turn off CA correction, but I’m happy to gain the option to exploit the lens’s natural vignetting for aesthetic effect. Previously, you could only enable/disable distortion and sharpness compensation, with corrections for vignetting and chromatic aberration always being applied. The other major advance in PureRAW 3 comes with the control it provides over lens corrections. To my mind, this makes DeepPRIME the best option for regular use. In contrast, PureRAW took 2min 23sec in HQ mode 8min 11sec using PRIME 4min 35sec in DeepPRIME and 9min 54sec with DeepPRIME XD.

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Using my 2019 Dell XPS 15 laptop running Windows 11 (Core i9-8950, Nvidia GeForce GTX 1050 Ti GPU), Adobe Camera Raw processed them in 15 seconds.

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Sony Alpha 7C, raw + DxO PureRAW 3 using DeepPRIME XD, ISO 25,600, 100% crop This is something DxO really needs to fix.ĭxO PureRAW 3 gives cleaner images at 2 stops higher ISO than ACR, while maintaining a strong impression of detail. So you need to make a point of using the File Renaming option, which is somewhat hidden away in the dialogue box. Instead, if you queue up variants of an image with different combinations of corrections, by default they’ll be assigned the same filename and end up overwriting each other. However, it isn’t smart enough to do the same with lens corrections. Usefully, PureRAW 3 will automatically name its DNG files according to the processing algorithm used. Click on the ‘Show Queue’ button, and you can change the processing order simply by dragging batches up and down the list. Alternatively, if you click the new ‘Add to Queue’ option, your files will get added to a queue that the program will work through progressively.

Select a file or files and click ‘Process Now’, and a window pops up prompting you to choose the processing method (High Quality, PRIME, DeepPRIME or DeepPRIME XD) the lens corrections you wish to apply, the output format (DNG, TIFF or JPG) and where the processed files should be saved.

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The first step is to download Optics Modules for the cameras and lenses you’ve used. Lightroom users can even invoke PureRAW directly within the program, using the ‘Export – Process using DxO PureRAW 3’ command.Īs the updates mainly affect the standalone program, I’m going to concentrate on that.

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Secondly, you can batch process files directly from the Windows desktop or Mac finder, with a choice of algorithms and output file types selectable, all without having to open the program itself. Firstly, it can work as a standalone program, into which you import your raw files and then process them. PureRAW can be used in several different ways.

Substantially increased control over lens corrections.

Adds DeepPRIME XD demosaicing / denoising algorithm.

Let’s see if version 3 is a worthy update. However, with previous versions I concluded that it could easily represent money well spent. The interface has been cosmetically redesigned, too, with a cleaner look.Īt $129 / £115 for a one-off licence, or £69 for users of previous versions to upgrade, DxO PureRAW 3 may look expensive for a program that turns your raw files into better raw files, but doesn’t produce finished output. This makes PureRAW 3 compatible with a wider range of image processing programs that don’t support DNG files. It’s also now possible to export your images as TIFF files, in a choice of 8-bit or 16-bit colour depths. DxO PureRAW 3 now has a processing queue.